Category Archives: お知らせ

NYC Solo Exhibition

I am holding a solo exhibition in New York in conjunction with New York Textile Month and the Art of Dumbo events.

 

 

During my trip to New York in 2013, I encountered Japan Blue, which became my starting point.

I’ve been wishing to go there for work ever since, and 12 years have passed
I tend to try and do everything on my own, so my progress has been slow, but I’m steadily moving forward

 

 

Friday, September 5, 2025
Sunday, October 5, 2025
Loop of the Loom – Dumbo Brooklyn, NY, 11201 United States

Workshops will also be held.
The first overseas Kyoto indigo dyeing experience will take place in New York.
I warmly invite you to attend.

 

 

My activities are based in Kyoto, where Japanese indigo cultivation and dyeing originated. However, it disappeared about 100 years ago. I have revived it in its original production areas, and my goal is to preserve KYOAI and pass it on to future generations.

Thankfully, some of my KYOAI works are now permanently preserved in Europe, and I dream of having them permanently preserved in the United States as well.

 

 

https://www.textilemonth.nyc/nytm-2025-exhibitions/living-indigo-from-kyoto-by-riku-matsuzaki-exhibition

[Osaka-Kansai Expo: Italy Pavilion Exhibition]

The Italy Pavilion at the Osaka-Kansai Expo, themed “Art Revives Life,”

 

The Kyoai dyed artwork using Moleskine notebooks, which was recently delivered to the Moleskine Foundation in Italy, will be exhibited at the Italy Pavilion of the Expo 2025 in Kansai.

 

 

 

I have received photos from Moleskine showcasing Kyoai dyed works using Moleskine notebooks currently on display.

 

 

If you’re visiting the Italy Pavilion in August, please take a look! 🔵

 

 

【Exhibition Period】: Friday, August 1, 2025 – Saturday, August 23, 2025
【Venue】: Expo 2025 Osaka, Kansai, Italy Pavilion
【Opening Hours】: 9:00 AM – 10:00 PM

 

 

 

 

I delivered a Kyoai(Kyoto indigo) dyed artwork using Moleskine notebooks to the Moleskine Foundation in Italy—traditional notebooks once loved by Van Gogh and Picasso.

 

 

In June, I happened to have plans to visit Slovenia (neighboring Italy), so I decided to create the piece as close to Moleskine (Italy) as possible and worked on it in Slovenia.

 

 

This piece was created by fermenting indigo using a technique from 700 years ago and dyeing scraps of fabric for three minutes each day.
Because it is a 700-year-old technique, it is extremely unstable, resulting in significant color differences depending on the day.
It documents the life of the indigo, which was prepared in March last year and completed its role in May this year when the pigment was depleted.

 

 

I turned the peak I aspire to reach, and the life of Kyoai spanning over a year and a few months, into this artwork.

 

 

This makes two pieces in Italy—Kyoto indigo (KYOAI) is now part of the collections of Valextra and Moleskine.
In Japan, Kyoto indigo (KYOAI) has been dedicated to Myoshin-ji Temple’s Keishun-in in Kyoto and Toshodai-ji Temple in Nara.
I will continue to leave traces of Kyoto indigo around the world.

Attended the Global Well-being Summit

[Business Trip to Slovenia]
June 16–21
I was invited to the global summit for well-being projects because my work is considered to align with the concept of well-being.

 

 

Reviving Kyoto Indigo × Sustainable Craftsmanship Starting from and Returning to the Soil × Ensō Art
The curator of TED Talks strongly advocated for these three interconnected elements of my work. Over the past 10 months, we’ve held monthly meetings to continue the dialogue about what can be achieved through these efforts.

 

 

The summit brought together about 1,000 participants from over 90 countries to engage with the concept of well-being.

 

 

What is “Well-being” Anyway?
We’ve been hearing about “well-being” more and more recently, but to put it simply, it’s said to be **long-term happiness**.

 

 

On the other hand, its opposite is happiness:

 

Happiness : Short-term happiness
– Eating delicious food, getting a good night’s sleep, watching a movie.
– It’s closer to a fleeting emotional state.

 

 

Well-being : Long-term happiness
– Doing work you love.
– Having life goals and working toward achieving them.
– Maintaining a balance between mind and body.
– It’s about enduring satisfaction over time.

 

 

Happiness is the joy of a moment, while well-being is the accumulated foundation of those moments, leading to a sense of fulfillment in life.

 

 

Even though I only speak Japanese, I didn’t hesitate to jump into this unfamiliar environment, as I always do. I also met a few Japanese people there, who helped me navigate things. No matter where I am, at home or abroad, I’ve managed to get by.

Some Deep Reflections from This Trip
I felt something quite profound during this trip. I haven’t shared it on social media because it felt too heavy, but I’d like to write about it here.

 

 

What I realized at the Slovenia Summit is that, in conclusion, Japan is truly a privileged country.
In Japan, we always have an environment where we can challenge ourselves to some extent. This, more than anything, is the greatest luxury.

 

 

With over 90 countries represented, I was deeply moved by the diversity of values and the sheer number of problems that are entirely beyond individual control.

 

 

Even though I went to the summit intending to showcase my work, I found myself unable to promote it because my activities and existence felt so luxurious and privileged in comparison.

 

 

From a personal standpoint, my perspective on creation has greatly broadened, I’ve identified new challenges, and I’ve truly realized how fortunate my environment is. That said, my resolve hasn’t wavered—I’ll continue to pour my heart and soul into what I do without taking this privilege for granted.

 

 

The World is Both Simple and Incredibly Complex
Every person, though it may not be visible, carries various problems with them.
Sure, my activities might align with the concept of well-being, but that doesn’t mean my work provides answers for others.

 

 

Hearing someone say, “Your thoughts are so profound, and you are such a strong person,” was more painful and empty than anything else.

 

 

Growing up in a housing complex, I experienced disparities from a young age, which gave me a chip on my shoulder that has driven me to keep going. During my early days, I focused on turning 1 into 10 through hard work, and now I’ve shifted to creating something from nothing—taking financial risks willingly and coming this far because of it.

 

 

I had nothing, so I had no choice but to do my best. Along the way, I’ve thrown away many things and been hurt, but I’ve always transformed those negative feelings into positives, which is why I’m where I am today.

 

 

Because I’ve gone through more experiences and pain than many people around me, I thought I could understand others’ feelings to some extent. But in that moment, their words made me feel distant, as if I had been pushed away.

 

 

Without realizing it, I had forgotten the hardships and struggles of my earlier life. I didn’t even know what words to offer them.

My Resolve Despite It All
I have dreams, and I live with the resolve to give up everything for them. I’ve lived thinking it’s fine to die at any moment.

 

 

But on this trip, I realized that in Japan, the “exchange of life” is something that exists only on an individual level.

 

 

Chasing a dream in Japan is easy—in the end, only you might fail or even die. That realization made me feel that this is the ultimate privilege.

 

 

Even so, as I’ve written above, my determination hasn’t changed. I won’t take my environment for granted, and I’ll continue to give everything I have, burning my life’s energy to do so.

 

 

I believe there’s a reason I was born into this era in Japan.

 

 

Kyoai dyeing master
Riku Matsuzaki

Exhibition Archives 2024

I created an archive catalog for the solo exhibitions I held simultaneously at two venues last year.

Not only does it include photos of the artworks and exhibition spaces, but it also features all the words I used in the exhibits—words that reflect the thoughts I grappled with while creating the pieces, as I value the thinking process (and words) behind the art.
I hope those who couldn’t visit the exhibitions can still get a sense of the atmosphere through this catalog.

It’s available for purchase from the ONLINE STORE!
I’d be delighted if you could take a look!

Valextra × Riku Matsuzaki

I am proud to announce that now I am collaborating with the Italian luxury leather brand Valextra.Combining Valextra’s iconic bags, “Iside” and “Micro Bucket,” with my Kyoai dyeing artworks. The first photo is a picture taken at the Milano Collection held in February this year.In April 2023, after three years of independence, representatives from Italy visited my studio. It took almost a year of discussions, but we finally materialized the collaboration.

 

My dream is to revive the indigo dyeing tradition of Kyoto, which perished approximately 100 years ago, in its original birthplace and pass on the existence and value of “KYOAI” to the next generation. Although I am just a sole practitioner without social credibility, a company, strong brand presence, or a large number of social media followers, I am grateful that my activities were understood and valued beyond mere numbers.

 

 

I am delighted that “KYOAI” will be preserved and cherished by Valextra, which will celebrate its 100th anniversary during my lifetime.Even after crossing the age of 20, I had nothing to be proud of. When I attempted to become an apprentice in indigo dyeing I was not allowed to touch the indigo so I decided to do it on my own. I started indigo dyeing in my home bathroom, taking the risk with my own money. I started from ground zero, or rather, from a negative position without any skills or connections. Including my apprenticeship, this year marks the 10th year since I began this journey.

 

 

In my third year of independence, I dedicated the “Kyoai Wall Landscape” to Myoshinji Temple Keishunin. In my fourth year of independence, I collaborated with Valextra on “Iside KYOAI” and “Micro Bucket KYOAI.”Moving forward, I will continue to leave traces of “KYOAI” to preserve and pass on Kyoai dyeing to future generations.
“Iside KYOAI” and “Micro Bucket KYOAI” will be available for sale in limited quantities at Casa Valextra this autumn.

 

 

https://www.valextra.jp/

ART MARKET TENNOZ 2024

『ART MARKET TENNOZ 2024 』
Date: March 8 (FRI) – March 17 (SUN)

 

 

This event will start in 2021 with the theme of “See, hear, feel, enjoy, and discover.
The event has been well received as an opportunity to hear directly from the artists about their creative process and to see their works up close and personal. This year’s event will be held at the “WHAT CAFE” art gallery café.
This year’s event will be held at the art gallery café “WHAT CAFE,” and will feature art sales, art performances, talk shows, workshops, and other events. The venue will feature paintings and sculptures by 22 up-and-coming artists.
The works of 22 up-and-coming artists, mainly paintings and sculptures, will be exhibited at the venue, providing visitors with an opportunity to encounter one-of-a-kind works of art and to discover their own latent love of art.
The exhibition will provide visitors with an opportunity to encounter one-of-a-kind works of art and to discover their own latent love of art. The “Museum of Art by Ear,” Avi, will serve as a special ambassador for the exhibition, and a gallery tour is scheduled to be held during the exhibition period.
A gallery tour will also be held during the exhibition period.
Avi of “Museum of Listening by Ears” will be a special ambassador for the exhibition!

 

https://cafe.warehouseofart.org/event/art-market-tennoz-2024/

Solo Exhibition

【Exhibition Announcement】
I am pleased to announce a solo exhibition at Keishun-in, Myoshinji Temple.
The exhibition will feature an artwork that records the process of engaging with the concept of “Enso” (a circle).
I invite you to come and experience the exhibition firsthand.

“Riku Matsuzaki: Kyoai Dyeing Exhibition”
Exhibition Period: November 3rd (Friday) to November 12th (Sunday), 2023
Meet at artist : November 3rd, 4th, 5th, 11th, 12th
Opening Hours: 9:00 AM to 4:30 PM
Venue: Keishun-in, Myoshinji Temple
Address: 11 Hanazono Jinai-cho, Ukyo-ku, Kyoto 616-8036, Kyoto Prefecture, Japan

 

1712 Encyclopedia of Japan on Kyoto indigo (Kyoai)

The haiku I posted the other day, “Shimabara no soto mo shimiru ya ai-batake,” dates back to the year 1700.

 

 

 

Moving on to the description from the encyclopedia “Wakan Sansai Zue” in 1712, it states that indigo from Kyoto was the most excellent, followed by Hyogo (Harima), Awa, and Awaji.
“If anyone wishes to see this document, please come to my studio.”

 

 

 

It’s puzzling why Kyoto, even though it had the finest indigo in Japan, allowed it to decline.

 

 

 

Understanding this, the significance lies in the fact that I revived “Kyoto Indigo(Kyoai)” using the fertilizers and cultivation methods from that time in the original place where indigo was cultivated.

 

 

 

As for the person who ignited the revival of “Kyoto Indigo(Kyoai)” approximately 85 years after 1712, I’ll write about them another time.